1. Writing: A Craftsman’s Memoirs by Stephen King
Stephen Kings Since its inception in 2000, writing has become a modern classic, loved by readers as well as by writers. Writing is both an autobiography and a handbook in the craft of writing. King talks about his childhood in the 50s and 60s, about his school years, and about his early interest in writing and Buy Essay Online Cheap. He also gives practical and entertaining tips to aspiring authors with a variety of examples from their own and others’ texts. New translation by the author Ola Larsmo, who also contributes with a newly written afterword.
2. Write on! : A Handbook of the Art of Writing by Elizabeth George
I Write on! Everyone with authorial ambitions can learn how to build a novel from scratch. Elizabeth George shows how to proceed when making a detailed plan for a book and gives practical advice on the various steps in the writing process, e.g. what to think about when building the plot, what perspectives you can use, and how the characters get flesh and blood.
She generously shares her knowledge and describes how she usually does when she sets up the scenes, creates the characters’ characters, determines the environment, and how meticulous she is with the details to create credibility.
As an example, Elizabeth George uses not only extracts from her own but also other well-known authors’ works, e.g. EC Forster, John Irving, Toni Morrison, Stephen King, Ernest Hemingway, and Alice Hoffman.
Elizabeth George began her career as a teacher and has spent several years teaching writing courses. She has a deep insight into the craft of writing and a good narrator’s ability to convey this knowledge. The result has been a practical and easily accessible handbook in the art of writing a novel.
3. Fail again, fail better: notes on horror and writing by John Ajvide Lindqvist
Sweden’s horror master John Ajvide Lindqvist invites his creative world in this unique collection of thoughts about the writing party and horror. Here we get to follow the work of his seven novels, from Let the Right One In in 2004 to X – the last place in 2017. With reasoning and often humorous voice, John comments on the problems and joys of his younger editions.
The result is a fun and educational book for anyone who wants to read something other than a regular author’s guide. But also a book for anyone who wants to peek behind the scenes of the special fantasy world that is John Ajvide Lindqvist’s.
4. Characters, lines, dialogue by Richard Rosengren
The line is one of the most important tools for expressing a character. In the novel, it can highlight an individual character. In the drama, it carries most of the plot and in the TV detective, it is often used to inform the audience. Through the conscious choice of words and expressions, one can create completely different characters and thereby change relationships and intrigue. But also what is not said is important – the silence can be quite telling.
This is not a book about writing drama. It is a book about creating characters, lines, and dialogue. It is intended for those who want to write for e.g. film, theatre, radio, and television, or for various new media such as blogs and Twitter. Richard Rosengren, who himself wrote the script for theatre and drama documentaries, explains, among other things, how the characters through what they say to each other can affect relationships, reveal the character story and, like the voices in a piece of music, create something more than the sum of individual notes.
The book is aimed, among other things, at those who study writing and media production and at professionals in media and culture. It also provides valuable knowledge to all those who engage in various types of leisure writing, e.g. online.
5. Three simple rules – does not exist – a novel school by Elisabet Norin
VOTES ABOUT AUTHORS AS A GUIDE:?
My work has developed enormously with Elisabet’s help. She has always been there with good advice and spice. Elisabet has given very good support during the writing process. Both with a constructive response, but also as a sounding board and for inspiration. I trust Elisabet’s judgment, feel that she has taken my text seriously. Elisabet Norin met my expectations with flying colors. Her comments were very pedagogically written. She came up with constructive suggestions on how to make certain changes.
Voices about the book, The clear examples, both Elisabet’s own and from the literature, increase my student’s confidence in her knowledge. I truly believe that the book will be appreciated and help its readers in their writing alone. It is a very well-written, enjoyable, and easy to read book. The practical tips feel relevant and provide recognition and identification for those who have already written some. The theoretical parts are correct and the praise for the writing life is inspiring.
